Louisiana now exists as one of the big four film-producing states, and as part of our Louisiana post-production worker series, we assembled the handful of re-recording mixers in the state and included each of the production sound recordists.
Louisiana now exists as one of the big four film-producing states, and as part of our Louisiana post-production worker series, we assembled the handful of re-recording mixers in the state and included each of the production sound recordists.
With more and more productions blossoming in, we bring you a list of Louisiana colorists with background and contact information simplified, as your matchmaker for Louisiana post-production.
Today we explore the array of royalty-free sound effects and music services for your digital art through the lens of Soundstripe.
Here’s what Transcriptive Rough Cutter offers as a film editing tool and where Premiere Pro’s text-based video editing stands in 2023.
The Academy of Television Arts & Sciences announced the 2023 Emmy nominations on Wednesday morning, and here are your 2023 Emmy Award nominees.
Rebel Moon has employed a half dozen of the biggest post-production & VFX houses to complete work on a film being promoted as a planetary behemoth of scale and spectacle.
Vanity AI is MARZ’s new end-to-end automated AI solution for Hollywood VFX. MARZ describes Vanity AI as 300x faster than any traditional VFX pipeline, developed to specifically execute high volumes of high-end 2D aging, de-aging, wig, cosmetic, and prosthetic alterations.
The Revenant and The Jungle Book were fully realized role models for CGI bear craftsmanship. Now, Cocaine Bear takes it a step further.
The innovative talent at Weta Digital, the invention of the Deep X 3D underwater rig, or just because James Cameron said so – here’s some evidence why Avatar 2 has dramatically improved on the technology of the 2009 blockbuster.
For Indiana Jones and the Dial of Destiny, ILM has blended the young-Harrison-Ford CGI into current Harrison with the supreme skill that you would expect from Industrial Light & Magic…and de-aged Harrison Ford looks great.
Bruce Willis selling his likeness to be used with deepfake technology? Let’s look at all the pros, cons, and facts with this kind of deals.
When you cut through the external buzz of ‘Where the Crawdads Sing’, what you have is an adventure mystery built on the foundation of an atmosphere. The marsh – the buzz of cicadas and the sun that drips down through the cypress trees – it’s a living piece of this story. The effects and the composition are paramount.
We talked to editor Alan E. Bell and VFX Supervisor Kolby Kember of ‘Where the Crawdads Sing’ about how they helped build the atmosphere of Crawdads with their editing and visual effects expertise.
In the second part of the 2-part series, editor Chris Witt of ‘Breaking’ talks about the storytelling growth brought on by strict deadlines, staying on point with editing challenges, and the surreal joy of editing one of Michael K. Williams’ last film roles.
Breaking will release theatrically on August 26th, and we spoke to the editor Chris Witt about drawing from real-world audio and testimony for a film like Breaking, working with director Abi Damaris Corbin and Michael K. Williams, and the creative reward of finding undiscovered moments in that last perfect take
James Cameron, Steven Spielberg, George Lucas, and more offer their insights on the growth of Industrial Light & Magic (ILM). “Light & Magic” is a six-part docuseries that premieres for streaming on July 27th on Disney+.
Samantha’s effectiveness as a brooding, creeping exploration into what torments a person’s recurring dreams isn’t achieved through splatters of gore and an adrenaline-induced chase through the woods–it’s built through color, sound, and a damn good post-production team.
What is post-production? In this article we’ll explain exactly what post-production is, and guide you through the post-production process, step by step.