Tag: post-production
So you need a Louisiana colorist: A post-productio...
Posted by We'll Fix It In Post | Aug 18, 2023 | Post-Production | 0 |
Soundstripe versus everyone else: examining the ro...
Posted by We'll Fix It In Post | Jul 26, 2023 | Post-Production | 0 |
Transcriptive Rough Cutter for Premiere Pro: Still...
Posted by We'll Fix It In Post | Jul 19, 2023 | Post-Production | 0 |
Here is your comprehensive list of 2023 Emmy nomin...
Posted by We'll Fix It In Post | Jul 12, 2023 | Film Production, Post-Production | 0 |
The post-production elements seasoning the galacti...
Posted by We'll Fix It In Post | Jul 5, 2023 | Post-Production, VFX | 0 |
Louisiana Sound Artists Assemble: A Production and Post-Production Worker Directory
by We'll Fix It In Post | Sep 13, 2023 | Post-Production | 0 |
Louisiana now exists as one of the big four film-producing states, and as part of our Louisiana post-production worker series, we assembled the handful of re-recording mixers in the state and included each of the production sound recordists.
Read MoreSo you need a Louisiana colorist: A post-production worker directory
by We'll Fix It In Post | Aug 18, 2023 | Post-Production | 0 |
With more and more productions blossoming in, we bring you a list of Louisiana colorists with background and contact information simplified, as your matchmaker for Louisiana post-production.
Read MoreSoundstripe versus everyone else: examining the royalty-free chocolate waterfalls of sounds
by We'll Fix It In Post | Jul 26, 2023 | Post-Production | 0 |
Today we explore the array of royalty-free sound effects and music services for your digital art through the lens of Soundstripe.
Read MoreTranscriptive Rough Cutter for Premiere Pro: Still a go-to for the transcription debutant in 2023
by We'll Fix It In Post | Jul 19, 2023 | Post-Production | 0 |
Here’s what Transcriptive Rough Cutter offers as a film editing tool and where Premiere Pro’s text-based video editing stands in 2023.
Read MoreHere is your comprehensive list of 2023 Emmy nominees
by We'll Fix It In Post | Jul 12, 2023 | Film Production, Post-Production | 0 |
The Academy of Television Arts & Sciences announced the 2023 Emmy nominations on Wednesday morning, and here are your 2023 Emmy Award nominees.
Read MoreThe post-production elements seasoning the galactic stew of ‘Rebel Moon’
by We'll Fix It In Post | Jul 5, 2023 | Post-Production, VFX | 0 |
Rebel Moon has employed a half dozen of the biggest post-production & VFX houses to complete work on a film being promoted as a planetary behemoth of scale and spectacle.
Read More‘Cocaine Bear’ versus ‘The Revenant’ versus ‘The Jungle Book’: The gory battle of the CGI bears
by We'll Fix It In Post | Dec 27, 2022 | Post-Production, VFX | 0 |
The Revenant and The Jungle Book were fully realized role models for CGI bear craftsmanship. Now, Cocaine Bear takes it a step further.
Read MoreThe deep-dive speculation supporting why the VFX of ‘Avatar 2: The Way of Water’ is dramatically improved over its predecessor
by We'll Fix It In Post | Dec 16, 2022 | Post-Production, VFX | 0 |
The innovative talent at Weta Digital, the invention of the Deep X 3D underwater rig, or just because James Cameron said so – here’s some evidence why Avatar 2 has dramatically improved on the technology of the 2009 blockbuster.
Read MoreFirst looks at Harrison Ford de-aged in ‘Dial of Destiny’ and why this send-off will not disappoint
by We'll Fix It In Post | Dec 7, 2022 | VFX, Post-Production | 0 |
For Indiana Jones and the Dial of Destiny, ILM has blended the young-Harrison-Ford CGI into current Harrison with the supreme skill that you would expect from Industrial Light & Magic…and de-aged Harrison Ford looks great.
Read MoreThe question of future artistic integrity in Post: The pros and cons of Bruce Willis selling his likeness to be used with deepfake technology
by We'll Fix It In Post | Sep 30, 2022 | Post-Production | 0 |
Bruce Willis selling his likeness to be used with deepfake technology? Let’s look at all the pros, cons, and facts with this kind of deals.
Read MoreEditor Chris Witt of ‘Breaking’ starring John Boyega talks about its Sundance-winning ensemble cast and editing Michael K. Williams’ last role (Part II)
by We'll Fix It In Post | Aug 15, 2022 | Post-Production | 0 |
In the second part of the 2-part series, editor Chris Witt of ‘Breaking’ talks about the storytelling growth brought on by strict deadlines, staying on point with editing challenges, and the surreal joy of editing one of Michael K. Williams’ last film roles.
Read MoreEditor Chris Witt of ‘Breaking’ talks the care of cutting real-world source material in a true-to-life thriller
by We'll Fix It In Post | Aug 11, 2022 | Post-Production | 0 |
Breaking will release theatrically on August 26th, and we spoke to the editor Chris Witt about drawing from real-world audio and testimony for a film like Breaking, working with director Abi Damaris Corbin and Michael K. Williams, and the creative reward of finding undiscovered moments in that last perfect take
Read MoreLatest
- Louisiana Sound Artists Assemble: A Production and Post-Production Worker Directory
- ICVR’s Animated Primitive Candlemaker Short ‘Lightfall’ Is the Latest Unreal Project To Win an Epic MegaGrant
- California VFX artists: Studio Arts LA offers up to 240 hours of free education for creatives
- Let the Ewoks rejoice: Unreal Fest 2023 registration is now open
- So you need a Louisiana colorist: A post-production worker directory
- Here’s Your SIGGRAPH 2023 Buzz Straight From the Floor
- The Art With Impact 2023-2024 grant open call asks filmmakers from animation to documentary to spotlight struggle in a five-minute film
- Soundstripe versus everyone else: examining the royalty-free chocolate waterfalls of sounds
- Transcriptive Rough Cutter for Premiere Pro: Still a go-to for the transcription debutant in 2023
- 2021’s ‘Dune’ vs. 1990’s ‘Tremors’: The shared prehistoric DNA between two generations of bad-ass worms
- Here is your comprehensive list of 2023 Emmy nominees
- The post-production elements seasoning the galactic stew of ‘Rebel Moon’